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One selfish choice seals the Usher family’s fates forever when twins Roderick (Zach Gilford) and Madeline Usher (Willa Fitzgerald) meet an omnipotent harbinger of fate, Verna (Carla Gugino), at a bar on New Year’s Eve 1979 in Mike Flanagan’s The Fall of the House of Usher. To secure their fortune — and future — two ruthless siblings build a family dynasty that begins to crumble when their heirs mysteriously die, one by one. Roderick then invited Madeline over to their childhood home, where he poisoned her drink and set to work mummifying her. It was shortly after this that Auggie arrived at the house to hear Roderick's confession.
Lenore Usher
Czech director Jan Švankmajer adapted the story into the 1980 short film Zánik domu Usherů, which made use of black and white photography and stop-motion techniques but no actors on screen at any moment. A second silent film version, also released in 1928, was directed by James Sibley Watson and Melville Webber. Like Madeline, Roderick is connected to the mansion, the titular House of Usher. He believes the mansion is sentient and responsible, in part, for his deteriorating mental health and melancholy.
How did Lenore, Madeline, and Roderick all die?
Who Is Verna? 'The Fall Of The House Of Usher' Character Explained - Women's Health
Who Is Verna? 'The Fall Of The House Of Usher' Character Explained.
Posted: Thu, 19 Oct 2023 07:00:00 GMT [source]
She truly wanted to save everyone.” Yeah, well, so much for that. In exchange for this protection, both Roderick and Madeline had to consent to the bargain that at the end of Roderick's life, just before he was fated to die anyway, his entire bloodline would die with him. Roderick and Madeline would also have to die at the same time, leaving this world the same way they came into it. The siblings agreed to the deal, left the bar, and soon after became convinced that the whole thing had been a shared delusion. The Martian Chronicles, a 1950 collection of stories by Ray Bradbury, contains a novella called "Usher II," a homage to Poe. Its main character, William Stendahl, builds a house based on the specifications from Poe's story to murder his enemies.
What deal did the Ushers make with Verna?
His goal is to use his family’s money to make life one big party, and he has very little interest in fulling the family business. Siegel starred as Maddie in Mike Flanagan’s Hush and can also be seen in The Haunting of Hill House, Midnight Mass, The Haunting of Bly Manor, and Gerald’s Game. Lenore is the purest member of the Usher family, with Roderick even considering her to be the “best of.” She’s kind, empathic, and always looks to make conscientious choices instead of considering the family first. Mary McDonnell’s Madeline Usher is the incredibly intelligent and calculating brains behind Fortunato. She’s always pushing her brother, Roderick, whenever needed—though she’s not afraid to step over him if necessary.
What deal did Verna make with Roderick and Madeline, and why did it result in the entire Usher family dying?
Feast your eyes on a new clip above and learn more about the limited series below. As the series draws to a close, Verna—whose name is an anagram of the titular bird in Poe's classic 1845 poem "The Raven"—is shown placing an item on each of the Usher's graves that represents their respective downfalls, closing the loop of her karmic retribution. Decades later, once it became clear that Verna was the one killing off the Usher children, Madeline tried to sidestep the deal by convincing Roderick to kill himself. But Verna wasn't willing to let him get off that easy and brought him back to face the full extent of his reckoning, the death of his granddaughter Lenore (Kyliegh Curran), the only morally good Usher.

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Late one stormy night, Roderick Usher (Bruce Greenwood) invites an investigator named C. He offers to lay out the truth about his family’s criminal, violent history. All of these nightmarish visions are attached to the family drama that Usher offers up for Dupin, giving the season a clever episodic structure in that each chapter intertwines a different Poe source into the overall saga of the Ushers. Inspired by the work of Edgar Allan Poe, House of Usher traces the downfall of the uber-wealthy Usher family and their corrupt drug company, Fortunato Pharmaceuticals. The story centers on Usher family patriarch and Fortunato CEO Roderick (Bruce Greenwood), who, as the show begins, calls up his longtime rival, assistant U.S. attorney C. The Fall of the House of Usher is an American gothic horror drama television miniseries created by Mike Flanagan.
Its windows are described as “eye-like,” and its interior is compared to a living body. On the other hand, there are plenty of strange things about the Usher family. For one, “the entire family lay in the direct line of descent,” meaning that only one son from each generation survived and reproduced. Poe implies incestuous relations sustained the genetic line and that Roderick and Madeline are the products of extensive intermarriage within the Usher family. At Roderick’s words, the door bursts open, revealing Madeline all in white with blood on her robes. With a moan, she falls on her brother, and, by the time they hit the floor, both Roderick and Madeline are dead.
Carl Lumbly - Auguste Dupin
Here, Griswold realized that Madeline wasn't just seducing him—she was drugging him too. He passed out, waking up tied to a chair in a secret tiny room behind a brick wall being built. While under testimony, he went against what he said he would do, saying instead that Dupin was harassing him, that Fortunato did no wrong, and this his signatures were never forged. The final episode finally reveals what Roderick and Madeline did—and were running from—all those years ago, and how they first got involved with Verna in the first place. Roderick’s first wife and only true love, Annabel Lee (Katie Parker), leaves him after he betrayed his sense of integrity and threw young investigator C.
” “No, not before,” he replies in one of the show’s many glimpses of Flanagan’s viciously dark sense of humor. (Poe had one too.) Roderick has been haunted by all his awful children who have shuffled off this mortal coil, and it’s because it feels like the ghosts are finally coming for him that he is ready to confess. He’s having visions of monstrous ghosts, including the recurring specter of Verna (Carla Gugino), a figure that connects most of these tall tales as a sort of vengeful force of karma, the devil come to take what she’s due from a man who profited off the pain of others. The overarching narrative of The Fall of the House of Usher loosely follows Poe's 1839 short story of the same name, with Roderick recounting his decades-spanning tale to Auggie inside his decrepit childhood home.
Robert Longstreet plays Longfellow, the murdered CEO of Fortunato, and is the father to Madeline and Roderick. Annabeth Gish was also married to another of Robert Longstreet’s characters, Mr. Dudley, as Mrs. Dudley in The Haunting of Hill House. She can also be seen in Mayfair Witches, Midnight Mass, #Freerayshawn, Barry, and more. Malcolm Goodwin brings a younger version of Auguste to life, who was an investigator, proving that the character has long been looking to do the right thing and find justice. Fitzgerald previously starred in the Scream television series and also played a role in Royal Pains and Alpha House. Gildford previously played a role in Criminal Minds, The Midnight Club, Midnight Mass, Good Girls, L.A.’s Finest, and more.
'Fall of the House of Usher' Cast: Verna, Roderick & More - Variety
'Fall of the House of Usher' Cast: Verna, Roderick & More.
Posted: Thu, 12 Oct 2023 07:00:00 GMT [source]
She's first present tending bar when Roderick and Madeline stop in on New Year's Eve 1979, and we don't know what's going on with them, but we know they're nervous about something. Throughout the rest of the series, Verna continues to show up—more than 40 years later, always looking exactly the same as the day she met them. She shapeshifts, and knows everything, always letting the Usher children know exactly what the universe needs them to know before their time is up.
“The Fall of the House of Usher” updates the work of Edgar Allan Poe for the era of Big Pharma, turning his most famous tales into a sprawling story of the decline of a wealthy American family. It’s “Succession” meets The Tell-Tale Heart, a story of vengeance, power, betrayal, and bloody parts. As Roderick nears the conclusion of his story, which jumps back and forth between his early years working at Fortunato and the events that led up to each of his children's deaths, he finally arrives at the fateful night that changed everything, New Year's Eve of 1979. Coming to Netflix on Oct 12, The Fall House of Usher is an adaptation of the 19th-century short story by Edgar Allen Poe. In this mini-series, siblings Roderick and Madeline Usher, owners of a wealthy pharmaceutical company, begin to unravel the secrets of their family's history after the successors of the Usher family begin to perish.
She returns to her bedroom where Roderick claims she has died. The narrator and Roderick place her in a tomb despite her flushed, lively appearance. In the tale's conclusion, Madeline escapes from the tomb and returns to Roderick, scaring him to death. During one sleepless night, the narrator reads aloud to Usher as eerie sounds are heard throughout the mansion. He witnesses Madeline's reemergence and the subsequent, simultaneous death of the twins. The narrator is the only character to escape the House of Usher, which he views as it cracks and sinks into the mountain lake.
A television adaptation was produced by ATV for the ITV network in 1966 for the horror anthology series Mystery and Imagination. In the Roger Corman film from 1960, released in the United States as House of Usher, Vincent Price starred as Roderick Usher, Myrna Fahey as Madeline and Mark Damon as Philip Winthrop, Madeline's fiancé. The film was Corman's first in a series of eight films inspired by the works of Edgar Allan Poe. In 1950, a British film version of The Fall of the House of Usher was produced starring Gwen Watford, Kay Tendeter and Irving Steen. Roderick and Madeline are twins and the two share an incommunicable connection that critics conclude may be either incestuous or metaphysical,[7] as two individuals in an extra-sensory relationship embodying a single entity. To that end, Roderick's deteriorating condition speeds his own torment and eventual death.
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